Edgar Allan Poe

By adminThe Irvinites
"Poe" and "Edgar Poe" redirect here. For other uses, see Edgar Allan Poe (disambiguation) and Poe (disambiguation).

Edgar Allan Poe
Poe in 1849
Poe in 1849
BornEdgar Poe
(1809-01-19)January 19, 1809
Boston, Massachusetts, U.S.
DiedOctober 7, 1849(1849-10-07) (aged 40)
Baltimore, Maryland, U.S.
Resting placeWestminster Hall and Burying Ground, Baltimore
Spouse
​
​
(m. 1836; died 1847)​
Parents
Relatives
Signature
Topics related to
Edgar Allan Poe
In popular culture
In music
In television and film
Dark Romanticism
Edgar Awards
Death
Bibliography

Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre. He is widely regarded as one of the central figures of Romanticism and Gothic fiction in the United States, and of early American literature.[1] Poe was one of the country's first successful practitioners of the short story, and is generally considered to be the inventor of the detective fiction genre. In addition, he is credited with contributing significantly to the emergence of science fiction.[2] He is the first well-known American writer to earn a living by writing alone, which resulted in a financially difficult life and career.[3]

Poe was born in Boston. He was the second child of actors David and Elizabeth "Eliza" Poe.[4] His father abandoned the family in 1810, and when Eliza died the following year, Poe was taken in by John and Frances Allan of Richmond, Virginia. They never formally adopted him, but he lived with them well into young adulthood. Poe attended the University of Virginia, but left after only a year due to a lack of money. He frequently quarreled with John Allan over the funds needed to continue his education as well as his gambling debts. In 1827, having enlisted in the United States Army under the assumed name of Edgar A. Perry, he published his first collection, Tamerlane and Other Poems, which was credited only to "a Bostonian". Poe and Allan reached a temporary rapprochement after the death of Allan's wife Frances in 1829. However, Poe later failed as an officer cadet at West Point, declared his intention to become a writer, primarily of poems, and parted ways with Allan.

Poe switched his focus to prose, and spent the next several years working for literary journals and periodicals, becoming known for his own style of literary criticism. His work forced him to move between several cities, including Baltimore, Philadelphia, and New York City. In 1836, when he was 27, he married his 13-year-old cousin, Virginia Clemm. She died of tuberculosis in 1847.

In January 1845, he published his poem "The Raven" to instant success. He planned for years to produce his own journal The Penn, later renamed The Stylus. But before it began publishing, Poe died in Baltimore in 1849, aged 40, under mysterious circumstances. The cause of his death remains unknown and has been attributed to many causes, including disease, alcoholism, substance abuse, and suicide.[5]

Poe's works influenced the development of literature throughout the world and even impacted such specialized fields as cosmology and cryptography. Since his death, he and his writings have appeared throughout popular culture in such fields as art, photography, literary allusions, music, motion pictures, and television. Several of his homes are dedicated museums. In addition, The Mystery Writers of America presents an annual Edgar Award for distinguished work in the mystery genre.

Early life and education

Plaque marking the approximate location of Poe's birth on Carver Street in Boston

Edgar Poe was born in Boston, Massachusetts, on January 19, 1809, the second child of American actor David Poe Jr. and English-born actress Elizabeth Arnold Hopkins Poe. He had an elder brother, Henry, and a younger sister, Rosalie.[6] Their grandfather, David Poe, had emigrated from County Cavan, Ireland, around 1750.[7]

His father abandoned the family in 1810,[8] and his mother died a year later from pulmonary tuberculosis. Poe was then taken into the home of John Allan, a successful merchant in Richmond, Virginia, who dealt in a variety of goods, including cloth, wheat, tombstones, tobacco, and slaves.[9] The Allans served as a foster family and gave him the name "Edgar Allan Poe",[10] although they never formally adopted him.[11]

The Allan family had Poe baptized into the Episcopal Church in 1812. John Allan alternately spoiled and aggressively disciplined his foster son.[10] The family sailed to the United Kingdom in 1815, and Poe attended a grammar school for a short period in Irvine, Ayrshire, Scotland, where Allan was born, before rejoining the family in London in 1816. There he studied at a boarding school in Chelsea until summer 1817. He was subsequently entered at the Reverend John Bransby's Manor House School in Stoke Newington, then a suburb 4 miles (6 km) north of London.[12]

Poe moved to Richmond with the Allans in 1820. In 1824, he served as the lieutenant of the Richmond youth honor guard as the city celebrated the visit of the Marquis de Lafayette.[13] In March 1825, Allan's uncle and business benefactor William Galt died, who was said to be one of the wealthiest men in Richmond,[14] leaving Allan several acres of real estate. The inheritance was estimated at $750,000 (equivalent to $20,000,000 in 2023).[15] By summer 1825, Allan celebrated his expansive wealth by purchasing a two-story brick house called Moldavia.[16]

Poe may have become engaged to Sarah Elmira Royster before he registered at the University of Virginia in February 1826 to study ancient and modern languages.[17][18] The university was in its infancy, established on the ideals of its founder, Thomas Jefferson. It had strict rules against gambling, horses, guns, tobacco, and alcohol, but these rules were mostly ignored. Jefferson enacted a system of student self-government, allowing students to choose their own studies, make their own arrangements for boarding, and report all wrongdoing to the faculty.

The unique system was rather chaotic, and there was a high dropout rate.[19] During his time there, Poe lost touch with Royster and also became estranged from his foster father over gambling debts. He claimed that Allan had not given him sufficient money to register for classes, purchase texts, or procure and furnish a dormitory. Allan did send additional money and clothes, but Poe's debts increased.[20] Poe gave up on the university after a year, but did not feel welcome to return to Richmond, especially when he learned that his sweetheart, Royster, had married another man, Alexander Shelton. Instead, he traveled to Boston in April 1827, sustaining himself with odd jobs as a clerk and newspaper contributor. Poe started using the pseudonym Henri Le Rennet during this period.[21]

Military career

In May 1827, Poe enlisted in the U.S. Army, where he was first stationed at Fort Independence in Boston.

As Poe was unable to support himself, he decided to enlist in the United States Army as a private on May 27, 1827, using the name "Edgar A. Perry". Although he claimed that he was 22 years old, he was actually 18.[22] He first served at Fort Independence in Boston Harbor for five dollars a month.[23] That same year, his first book was published, a 40-page collection of poetry titled Tamerlane and Other Poems, attributed only to "A Bostonian". 50 copies were printed, and the book received virtually no attention.[24] Poe's 1st Regiment of Artillery[25] was posted to Fort Moultrie in Charleston, South Carolina, before embarking on the brig Waltham on November 8, 1827. Poe was promoted to "artificer", an enlisted tradesman tasked with preparing shells for artillery. His monthly pay doubled.[26] Poe served for two years, attaining the rank of sergeant major for artillery, the highest rank that a non-commissioned officer could achieve. He then sought to end his five-year enlistment early.

Poe revealed his real name and his actual circumstances to his commanding officer, Lieutenant Howard, who promised to allow Poe to be honorably discharged if he reconciled with Allan. Poe then wrote a letter to Allan, who was unsympathetic and spent several months ignoring Poe's pleas. Allan may not have written to Poe to inform him of his foster mother's illness. Frances Allan died on February 28, 1829. Poe visited the day after her burial. Perhaps softened by his wife's death, Allan agreed to support Poe's desire to receive an appointment to the United States Military Academy at West Point, New York.[27]

Poe was finally discharged on April 15, 1829, after securing a replacement to finish his enlistment.[28] Before entering West Point, he moved to Baltimore, where he stayed with his widowed aunt, Maria Clemm, her daughter Virginia Eliza Clemm (Poe's first cousin), his brother Henry, and his invalid grandmother Elizabeth Cairnes Poe.[29] That September, Poe received "the very first words of encouragement I ever remember to have heard"[30] in a review of his poetry by influential critic John Neal, which prompted Poe to dedicate one of the poems to Neal[31] in his second book, Al Aaraaf, Tamerlane and Minor Poems, published in Baltimore in 1829.[32]

Poe traveled to West Point and matriculated as a cadet on July 1, 1830.[33] In October 1830, Allan married his second wife Louisa Patterson.[34] This marriage and the bitter quarrels with Poe over children born to Allan out of extramarital affairs led to the foster father finally disowning Poe.[35] Poe then decided to leave West Point by intentionally getting court-martialed. On February 8, 1831, he was tried for gross neglect of duty and disobedience of orders for refusing to attend formations, classes, and church. Knowing he would be found guilty, Poe pleaded not guilty to the charges in order to induce dismissal.[36]

Poe left for New York in February 1831 and then released a third volume of poems, simply titled, Poems. The book was financed with help from his fellow cadets at West Point, some of whom donated as much as 75 cents to the cause. The total raised was approximately $170. They may have been expecting verses similar to the satirical ones Poe had written about commanding officers in the past.[37] The book was printed by Elam Bliss of New York, labeled as "Second Edition", and included a page saying, "To the U.S. Corps of Cadets this volume is respectfully dedicated". It once again reprinted the somewhat lengthy poems, “Tamerlane,” and “Al Araaf,” while also including six previously unpublished poems, conspicuous among which are, “To Helen", and "The City in the Sea".[38] Poe returned to Baltimore and to his aunt, brother, and cousin in March 1831. His elder brother Henry had been seriously ill for some time, in part due to complications resulting from alcoholism, and he died on August 1, 1831.[39]

Publishing career

In 1835, at age 26, Poe obtained a license to marry his cousin Virginia Clemm, who was then aged 13; they were married for 11 years until her death.
An 1845 portrait of Poe by Samuel Stillman Osgood
The cottage in the Fordham section of the Bronx, where Poe spent his last years

After his brother's death, Poe's earnest attempts to make a living as a writer were mostly unsuccessful. However, he eventually managed to earn a living by his pen alone, becoming one of the first American authors to do so. His efforts were initially hampered by the lack of an international copyright law.[40] American publishers often chose to sell unauthorized copies of works by British authors rather than pay for new work written by Americans, regardless of merit. The initially anemic reception of Edgar Allan Poe's work may also have been influenced by the Panic of 1837.[41]

There was a booming growth in American periodicals around this time, fueled in part by new technology, but many did not last beyond a few issues.[42] Publishers often refused to pay their writers or paid them much later than they promised,[43] and Poe repeatedly resorted to humiliating pleas for money and other assistance.[44]After his early attempts at poetry, Poe turned his attention to prose, perhaps based on John Neal's critiques in The Yankee magazine.[45] He placed a few stories with a Philadelphia publication and began work on his only drama, Politian. The Baltimore Saturday Visiter awarded him a prize in October 1833 for his often overlooked short story "MS. Found in a Bottle".[46] The tale brought him to the attention of John P. Kennedy, a Baltimorean of considerable means who helped Poe place some of his other stories and introduced him to Thomas W. White, editor of the Southern Literary Messenger in Richmond.

In 1835, Poe became assistant editor of the Southern Literary Messenger,[47] but White discharged him within a few weeks, allegedly for being drunk on the job.[48] Poe then returned to Baltimore, where he obtained a license to marry his cousin Virginia on September 22, 1835, though it is unknown if they were actually married at that time.[49] He was 26 and she was only 13.

Poe was reinstated by White after promising to improve his behavior, and he returned to Richmond with Virginia and her mother. He remained at the Messenger until January 1837. During this period, Poe claimed that its circulation increased from 700 to 3,500.[6] He published several poems, and many book reviews, critiques, essays, and articles, as well as a few stories in the paper. On May 16, 1836, he and Virginia were officially married at a Presbyterian wedding ceremony performed by Amasa Converse at their Richmond boarding house, with a witness falsely attesting Clemm's age as 21.[49][50]

Philadelphia

In 1838, Poe relocated to Philadelphia, where he lived at four different residences between 1838 and 1844, one of which at 532 N. 7th Street has been preserved as a National Historic Landmark.

That same year, Poe's only novel, The Narrative of Arthur Gordon Pym of Nantucket was published and widely reviewed.[51] In the summer of 1839, he became assistant editor of Burton's Gentleman's Magazine. He published numerous articles, stories, and reviews, enhancing the reputation he had established at the Messenger as one of America's foremost literary critics. Also in 1839, the collection Tales of the Grotesque and Arabesque was published in two volumes, though Poe received little remuneration from it and the volumes received generally mixed reviews.[52]

In June 1840, Poe published a prospectus announcing his intentions to start his own journal called The Stylus,[53] although he originally intended to call it The Penn, since it would have been based in Philadelphia. He bought advertising space for the prospectus in the June 6, 1840, issue of Philadelphia's Saturday Evening Post: "Prospectus of the Penn Magazine, a Monthly Literary journal to be edited and published in the city of Philadelphia by Edgar A. Poe."[54] However, Poe died before the journal could be produced.

Poe left Burton's after a year and found a position as writer and co-editor at Graham's Magazine, which was a successful monthly publication.[55] In the last number of Graham's for 1841, Poe was among the co-signatories to an editorial note of celebration concerning the tremendous success the magazine had achieved in the past year: "Perhaps the editors of no magazine, either in America or in Europe, ever sat down, at the close of a year, to contemplate the progress of their work with more satisfaction than we do now. Our success has been unexampled, almost incredible. We may assert without fear of contradiction that no periodical ever witnessed the same increase during so short a period."[56]

Around this time, Poe attempted to secure a position in the administration of John Tyler, claiming that he was a member of the Whig Party.[57] He hoped to be appointed to the United States Custom House in Philadelphia with help from President Tyler's son Robert,[58] an acquaintance of Poe's friend Frederick Thomas.[59] However, Poe failed to appear for a meeting with Thomas to discuss the appointment in mid-September 1842, claiming to have been sick, though Thomas believed that he had been drunk.[60] Poe was promised an appointment, but all positions were eventually filled by others.[61]

One evening in January 1842, Virginia showed the first signs of consumption, or tuberculosis, while singing and playing the piano, which Poe described as the breaking of a blood vessel in her throat.[62] She only partially recovered, and Poe is alleged to have begun to drink heavily due to the stress he suffered as a result of her illness. He then left Graham's and attempted to find a new position, for a time again angling for a government post. He finally decided to return to New York where he worked briefly at the Evening Mirror before becoming editor of the Broadway Journal, and later its owner.[63] There Poe alienated himself from other writers by, among other things, publicly accusing Henry Wadsworth Longfellow of plagiarism, though Longfellow never responded.[64] Poe later emended his accusations by expressing his belief that many writers, having absorbed ideas from others in the past, often confuse the source of their ideas with their original thoughts, but most of his contemporaries found that interpretation incomprehensible, and continued to be antagonistic towards Poe.[citation needed] On January 29, 1845, Poe's poem,"The Raven,” appeared in the Evening Mirror and quickly became a popular sensation. It made Poe a household name almost instantly,[65] though at the time, he was paid only $9 (equivalent to $294 in 2023) for its publication.[66] It was concurrently published in The American Review: A Whig Journal under the pseudonym "Quarles".[67]

The Bronx

The Broadway Journal failed in 1846,[63] and Poe then moved to a cottage in Fordham, New York, in the Bronx. That home, now known as the Edgar Allan Poe Cottage, was relocated in later years to a park near the southeast corner of the Grand Concourse and Kingsbridge Road. Nearby, Poe befriended the Jesuits at St. John's College, now Fordham University.[68] Virginia died at the cottage on January 30, 1847.[69] Biographers and critics often suggest that Poe's frequent theme of the "death of a beautiful woman" stems from the repeated loss of women throughout his life, including his wife.[70] However, as Poe was a prolific writer before Virginia's death, others have suggested that this explanation of his work is an oversimplification.[citation needed][who?]

Poe was increasingly unstable after his wife's death. He attempted to court the poet Sarah Helen Whitman, who lived in Providence, Rhode Island. Their engagement failed, purportedly because of Poe's drinking and erratic behavior. There is also strong evidence that Whitman's mother intervened and did much to derail the relationship.[71] Poe then returned to Richmond and resumed a relationship with his childhood sweetheart Sarah Elmira Royster.[72]

Death

Main article: Death of Edgar Allan Poe
Poe is interred at Westminster Hall in Baltimore, Maryland (Lat: 39.29027; Long: −76.62333); the circumstances and cause of his death remain uncertain.

On October 3, 1849, Poe was found semiconscious in Baltimore, "in great distress, and... in need of immediate assistance", according to Joseph W. Walker, who found him.[73] He was taken to Washington Medical College, where he died on Sunday, October 7, 1849, at 5:00 in the morning.[74]

Poe was not coherent long enough to explain how he came to be in his dire condition and why he was wearing clothes that were not his own. He is said to have repeatedly called out the name "Reynolds" on the night before his death, though it is unclear to whom he was referring. His attending physician said that Poe's final words were, "Lord help my poor soul".[74] All of the relevant medical records have been lost, including Poe's death certificate.[75]

Newspapers at the time reported Poe's death as "congestion of the brain" or "cerebral inflammation", common euphemisms for death from disreputable causes such as alcoholism.[76] The actual cause of death remains a mystery.[77] Speculation has included delirium tremens, heart disease, epilepsy, syphilis, meningeal inflammation,[5] cholera,[78] carbon monoxide poisoning,[79] and rabies.[80] One theory dating from 1872 suggests that Poe's death resulted from cooping, a form of electoral fraud in which citizens were forced to vote for a particular candidate, sometimes leading to violence and even murder.[81]

Griswold's memoir

Immediately after Poe's death, his literary rival Rufus Wilmot Griswold, wrote a slanted, high-profile obituary under a pseudonym, filled with falsehoods that cast Poe as a lunatic, and which described him as a person who "walked the streets, in madness or melancholy, with lips moving in indistinct curses, or with eyes upturned in passionate prayers, (never for himself, for he felt, or professed to feel, that he was already damned)".[82]

The long obituary appeared in the New York Tribune, signed, “Ludwig" on the day Poe was buried in Baltimore. It was further published throughout the country. The obituary began, "Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it."[83] "Ludwig" was soon identified as Griswold, an editor, critic, and anthologist who had borne a grudge against Poe since 1842. Griswold somehow became Poe's literary executor and attempted to destroy his enemy's reputation after his death.[84]

Griswold wrote a biographical article of Poe called "Memoir of the Author", which he included in an 1850 volume of the collected works. There he depicted Poe as a depraved, drunken, drug-addled madman, including some of Poe's "letters" as evidence.[84] Many of his claims were either outright lies or obvious distortions; for example, there is little to no evidence that Edgar Allan Poe was a drug addict.[85] Griswold's book was denounced by those who knew Poe well,[86] including John Neal, who published an article defending Poe and attacking Griswold as a "Rhadamanthus, who is not to be bilked of his fee, a thimble-full of newspaper notoriety".[87] Griswold's book nevertheless became a popularly accepted biographical source. This was in part because it was the only full biography available and was widely reprinted, and in part because readers thrilled at the thought of reading works by an "evil" man.[88] Letters that Griswold presented as proof were later revealed as forgeries.[89]

Literary style and themes

Genres

Poe's best-known fiction works have been labeled as Gothic horror,[90] and adhere to that genre's general propensity to appeal to the public's taste for the terrifying or psychologically intimidating.[91] His most recurrent themes seem to deal with death. The physical signs indicating death, the nature of decomposition, the popular concerns of Poe's day about premature burial, the reanimation of the dead, are all at length explored in his more notable works.[92] Many of his writings are generally considered to be part of the dark romanticism genre, which is said to be a literary reaction to transcendentalism,[93] which Poe strongly criticized.[94] He referred to followers of the transcendental movement, including Emerson, as "Frog-Pondians", after the pond on Boston Common,[95][96] and ridiculed their writings as "metaphor—run mad,"[97] lapsing into "obscurity for obscurity's sake" or "mysticism for mysticism's sake".[94] However, Poe once wrote in a letter to Thomas Holley Chivers that he did not dislike transcendentalists, "only the pretenders and sophists among them".[98]

Beyond the horror stories he is most famous for, Poe also wrote a number of satires, humor tales, and hoaxes. He was a master of sarcasm. For comic effect, he often used irony and ludicrous extravagance in a deliberate attempt to liberate the reader from cultural and literary conformity.[91] "Metzengerstein" is the first story that Poe is known to have published,[99] and his first foray into horror, but it was originally intended as a burlesque satirizing the popular genres of Poe's time.[100] Poe was also one of the forerunners of American science fiction, responding in his voluminous writing to such emerging literary trends as the explorations into the possibilities of hot air balloons as featured in such works as, "The Balloon-Hoax".[101]

Much of Poe's work coincided with themes that readers of his day found appealing, though he often professed to abhor the tastes of the majority of the people who read for pleasure in his time. In his critical works, Poe investigated and wrote about many of the pseudosciences that were then popular with the majority of his fellow Americans. They included, but were not limited to, the fields of astrology, cosmology, phrenology,[102] and physiognomy.[103]

Literary theory

Poe's writings often reflect the literary theories he introduced in his prolific critical works and expounded on in such essays as, "The Poetic Principle".[104] He disliked didacticism[105] and imitation masquerading as influence, believing originality to be the highest mark of genius. In Poe's conception of the artist's life, the attainment of the concretization of beauty should be the ultimate goal. That which is unique is alone of value. Works with obvious meanings, he wrote, cease to be art.[106] He believed that any work worthy of being praised should have as its focus a single specific effect.[104] That which does not tend towards the effect is extraneous. In his view, every serious writer must carefully calculate each sentiment and idea in his or her work to ensure that it strengthens the theme of the piece.[107]

Poe describes the method he employed while composing his most famous poem, “The Raven,” in an essay entitled "The Philosophy of Composition.” However, many of Poe's critics have questioned whether the method enunciated in the essay was formulated before the poem was written, or afterward, or, as T. S. Eliot is quoted as saying, "It is difficult for us to read that essay without reflecting that if Poe plotted out his poem with such calculation, he might have taken a little more pains over it: the result hardly does credit to the method."[108] Biographer Joseph Wood Krutch described the essay as "a rather highly ingenious exercise in the art of rationalization".[109]

Legacy

Influence

An 1875 illustration of Poe by French impressionist Édouard Manet for the Stéphane Mallarmé translation of "The Raven"
Poe depicted in a modern retouched version of a daguerreotype

During his lifetime, Poe was mostly recognized as a literary critic. The vast majority of Edgar Allan Poe's writings are nonfictional. Contemporary critic James Russell Lowell called him, “the most discriminating, philosophical, and fearless critic upon imaginative works who has written in America,” suggesting—rhetorically—that he occasionally used prussic acid instead of ink.[110] Poe's often caustic reviews earned him the reputation of being a "tomahawk man".[111] Poe's idea of criticism was not to praise prose or poetry that was obviously successful, and therefore could speak for itself, but to draw attention to what was not successful in the writings of even those he highly respected, his aim being to elevate the art of literature as a whole.[citation needed] Poe felt no need to praise what was already so obviously praiseworthy. Rather, he attempted to point out the imperfections in works other critics considered perfect, so as to hasten the evolution of literature, and in particular, American literature.[citation needed] A so-called “favorite target”[who?] of Poe's criticism was Boston's acclaimed poet Henry Wadsworth Longfellow, who was defended by his friends, literary and otherwise, in what was later called, “The Longfellow War". Poe accused Longfellow of "the heresy of the didactic", writing poetry that was preachy, derivative, and thematically plagiarized.[112] Poe correctly predicted that Longfellow's reputation and style of poetry would decline, concluding, "We grant him high qualities, but deny him the Future".[113]

Poe became known as the creator of a type of fiction that was difficult to categorize and nearly impossible to imitate. He was one of the first American authors of the 19th century to become more popular in Europe than in the United States.[114] Poe was particularly esteemed in France, in part due to early translations of his work by Charles Baudelaire. Baudelaire's translations became definitive renditions of Poe's work in Continental Europe.[115]

Poe's early mystery tales featuring the detective, C. Auguste Dupin, though not numerous, laid the groundwork for similar characters that would eventually become famous throughout the world. Sir Arthur Conan Doyle said, "Each [of Poe's detective stories] is a root from which a whole literature has developed.... Where was the detective story until Poe breathed the breath of life into it?"[116] The Mystery Writers of America have named their awards for excellence in the mystery genre "The Edgars".[117] Poe's work also influenced writings that would eventually come to be called "science fiction", notably the works of Jules Verne, who wrote a sequel to Poe's novel The Narrative of Arthur Gordon Pym of Nantucket called An Antarctic Mystery, also known as The Sphinx of the Ice Fields.[118] And as the author H. G. Wells noted, "Pym tells what a very intelligent mind could imagine about the south polar region a century ago".[119] In 2013, The Guardian cited Pym as one of the greatest novels ever written in the English language, and noted its influence on later authors such as Doyle, Henry James, B. Traven, and David Morrell.[120]

Horror author and historian H. P. Lovecraft was heavily influenced by Poe's horror tales, dedicating an entire section of his long essay, "Supernatural Horror in Literature", to his influence on the genre.[121] In his letters, Lovecraft described Poe as his "God of Fiction".[122] Lovecraft's earliest stories are clearly influenced by Poe.[123] At the Mountains of Madness directly quotes him. Lovecraft made extensive use of Poe's concept of the “unity of effect” in his fiction.[124] Alfred Hitchcock once said, "It's because I liked Edgar Allan Poe's stories so much that I began to make suspense films".[125] Many references to Poe's works are present in Vladimir Nabokov's novels.[126] Other writers inspired by Poe's poetry and fiction include, but are not limited to, Ray Bradbury, Stephen King, and the beat generation's Allen Ginsberg. In Japan, Edogawa Ranpo was so inspired by Poe that his pen name is a rendering of his name into Japanese.[citation needed]

Poe's works have spawned many imitators.[127] One trend among Poe's more ardent fans has been the tendency to employ clairvoyants or psychics to "channel” original poems from Poe's spirit. One of the most notable of these manuscripts was by Lizzie Doten, who published, Poems from the Inner Life in 1863, in which she claimed to have "received" new compositions by Poe. However, the writings appeared to be simple revisions of previously published poems.[citation needed]

Poe has also received criticism. This is partly because of the negative perception of his personal character and its influence upon his reputation.[114] William Butler Yeats was occasionally critical of Poe and once called him "vulgar".[128] Transcendentalist Ralph Waldo Emerson reacted to "The Raven" by saying, "I see nothing in it",[129] and derisively referred to Poe as "the jingle man".[130] Aldous Huxley wrote that Poe's writing "falls into vulgarity" by being "too poetical"—the equivalent of wearing a diamond ring on every finger.[131]

It is believed that only twelve copies have survived of Poe's first book Tamerlane and Other Poems. In December 2009, one copy sold at Christie's auctioneers in New York City for $662,500, a record price paid for a work of American literature.[132]

Physics and cosmology

Eureka: A Prose Poem, an essay written in 1848, included a cosmological theory that presaged the Big Bang theory by 80 years,[133][134] as well as the first plausible solution to Olbers' paradox.[135][136] Poe eschewed the scientific method in Eureka and instead wrote from pure intuition.[137] For this reason, he considered it a work of art, not science,[137] but insisted that it was still true[138] and considered it to be his career masterpiece.[139] Even so, Eureka is full of scientific errors. In particular, Poe's suggestions ignored Newtonian principles regarding the density and rotation of planets.[140]

Cryptography

Poe had a keen interest in cryptography. He had placed a notice of his abilities in the Philadelphia paper Alexander's Weekly (Express) Messenger, inviting submissions of ciphers which he proceeded to solve.[141] In July 1841, Poe had published an essay called "A Few Words on Secret Writing" in Graham's Magazine. Capitalizing on public interest in the topic, he wrote "The Gold-Bug" incorporating ciphers as an essential part of the story.[142] Poe's success with cryptography relied not so much on his deep knowledge of that field (his method was limited to the simple substitution cryptogram) as on his knowledge of the magazine and newspaper culture. His keen analytical abilities, which were so evident in his detective stories, allowed him to see that the general public was largely ignorant of the methods by which a simple substitution cryptogram can be solved, and he used this to his advantage.[141] The sensation that Poe created with his cryptography stunts played a major role in popularizing cryptograms in newspapers and magazines.[143]

Two ciphers he published in 1841 under the name "W. B. Tyler" were not solved until 1992 and 2000 respectively. One was a quote from Joseph Addison's play Cato; the other is probably based on a poem by Hester Thrale.[144][145]

Poe had an influence on cryptography beyond increasing public interest during his lifetime. William Friedman, America's foremost cryptologist, was heavily influenced by Poe.[146] Friedman's initial interest in cryptography came from reading "The Gold-Bug" as a child, an interest that he later put to use in deciphering Japan's PURPLE code during World War II.[147]

Commemorations and namesake

On October 7, 1949, the U.S. Post Office issued a commemorative stamp honoring Edgar Allen Poe on the 100th anniversary of his death.[148]
Main articles: Edgar Allan Poe in popular culture and Edgar Allan Poe in television and film

Poe's image and namesake has often been used in a number of different capacities including literature, historic places, artistic works, books, film and commemorations.

Character

The historical Edgar Allan Poe has appeared as a fictionalized character, often in order to represent the "mad genius" or "tormented artist" and in order to exploit his personal struggles.[149] Many such depictions also blend in with characters from his stories, suggesting that Poe and his characters share identities.[150] Often, fictional depictions of Poe use his mystery-solving skills in such novels as The Poe Shadow by Matthew Pearl.[151]

Preserved homes, landmarks, and museums

The Edgar Allan Poe National Historic Site in Philadelphia, one of several preserved former residences of Poe

No childhood home of Poe is still standing, including the Allan family's Moldavia estate. The oldest standing home in Richmond, the Old Stone House, is in use as the Edgar Allan Poe Museum, though Poe never lived there. The collection includes many items that Poe used during his time with the Allan family, and also features several rare first printings of Poe works. 13 West Range is the dorm room that Poe is believed to have used while studying at the University of Virginia in 1826; it is preserved and available for visits. Its upkeep is overseen by a group of students and staff known as the Raven Society.[152]

The earliest surviving home in which Poe lived is at 203 North Amity St. in Baltimore, which is preserved as the Edgar Allan Poe House and Museum. Poe is believed to have lived in the home at the age of 23 when he first lived with Maria Clemm and Virginia and possibly his grandmother and possibly his brother William Henry Leonard Poe.[153] It is open to the public and is also the home of the Edgar Allan Poe Society.

While in Philadelphia between 1838 and 1844, Poe lived at at least four different residences, including the Indian Queen Hotel at 15 S. 4th Street, at a residence at 16th and Locust Streets, at 2502 Fairmount Street, and then in the Spring Garden section of the city at 532 N. 7th Street, a residence that has been preserved by the National Park Service as the Edgar Allan Poe National Historic Site.[154][155] Poe's final home in Bronx, New York City, is preserved as the Edgar Allan Poe Cottage.[69]

In Boston, a commemorative plaque on Boylston Street is several blocks away from the actual location of Poe's birth.[156][157][158][159] The house which was his birthplace at 62 Carver Street no longer exists; also, the street has since been renamed "Charles Street South".[160][159] A "square" at the intersection of Broadway, Fayette, and Carver Streets had once been named in his honor,[161] but it disappeared when the streets were rearranged. In 2009, the intersection of Charles and Boylston Streets (two blocks north of his birthplace) was designated "Edgar Allan Poe Square".[162]

In March 2014, fundraising was completed for construction of a permanent memorial sculpture, known as Poe Returning to Boston, at this location. The winning design by Stefanie Rocknak depicts a life-sized Poe striding against the wind, accompanied by a flying raven; his suitcase lid has fallen open, leaving a "paper trail" of literary works embedded in the sidewalk behind him.[163][164][165] The public unveiling on October 5, 2014, was attended by former U.S. poet laureate Robert Pinsky.[166]

Other Poe landmarks include a building on the Upper West Side, where Poe temporarily lived when he first moved to New York City. A plaque suggests that Poe wrote "The Raven" here. On Sullivan's Island in Charleston County, South Carolina, the setting of Poe's tale "The Gold-Bug" and where Poe served in the Army in 1827 at Fort Moultrie, there is a restaurant called Poe's Tavern. In the Fell's Point section of Baltimore, a bar still stands where legend says that Poe was last seen drinking before his death. Known as "The Horse You Came in On", local lore insists that a ghost whom they call "Edgar" haunts the rooms above.[167]

Photographs

An 1848 "Ultima Thule" daguerreotype of Poe

Early daguerreotypes of Poe continue to arouse great interest among literary historians.[168] Notable among them are:

  • "Ultima Thule" ("far discovery") to honor the new photographic technique; taken in November 1848 in Providence, Rhode Island, probably by Edwin H. Manchester
  • "Annie", given to Poe's friend Annie L. Richmond; probably taken in June 1849 in Lowell, Massachusetts, photographer unknown

Poe Toaster

Main article: Poe Toaster

Between 1949 and 2009, a bottle of cognac and three roses were left at Poe's original grave marker every January 19 by an unknown visitor affectionately referred to as the "Poe Toaster". Sam Porpora was a historian at the Westminster Church in Baltimore, where Poe is buried; he claimed on August 15, 2007, that he had started the tradition in 1949. Porpora said that the tradition began in order to raise money and enhance the profile of the church. His story has not been confirmed,[169] and some details which he gave to the press are factually inaccurate.[170] The Poe Toaster's last appearance was on January 19, 2009, the day of Poe's bicentennial.[171]

List of selected works

Main article: Edgar Allan Poe bibliography

Short stories

Poetry

Other works

See also

References

Citations

  1. ^ Sun, Chunyan (April 23, 2015). "Horror from the Soul—Gothic Style in Allan Poe's Horror Fictions" (PDF). English Language Teaching. 8 (5). Canadian Center of Science and Education. doi:10.5539/elt.v8n5p94. ISSN 1916-4742.
  2. ^ Stableford 2003, pp. 18–19.
  3. ^ Meyers 1992, p. 138.
  4. ^ Semtner, Christopher P. (2012). Edgar Allan Poe's Richmond: the Raven in the River City. Charleston, SC: History Press. p. 15. ISBN 978-1-60949-607-4. OCLC 779472206.
  5. ^ a b Meyers 1992, p. 256
  6. ^ a b Allen 1927
  7. ^ Quinn 1998, p. 13.
  8. ^ Canada 1997.
  9. ^ Meyers 1992, p. 8.
  10. ^ a b Meyers 1992, p. 9
  11. ^ Quinn 1998, p. 61.
  12. ^ Silverman 1991, pp. 16–18.
  13. ^ PoeMuseum.org 2006.
  14. ^ Meyers 1992, p. 20.
  15. ^ 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved February 29, 2024.
  16. ^ Silverman 1991, pp. 27–28.
  17. ^ Silverman 1991, pp. 29–30.
  18. ^ University of Virginia. A Catalogue of the Officers and Students of the University of Virginia. Second Session, Commencing February 1, 1826. Charlottesville, VA: Chronicle Steam Book Printing House, 1880, p. 10
  19. ^ Meyers 1992, pp. 21–22.
  20. ^ Silverman 1991, pp. 32–34.
  21. ^ Silverman 1991, p. 41.
  22. ^ Cornelius 2002, p. 13.
  23. ^ Meyers 1992, p. 32
  24. ^ Meyers 1992, pp. 33–34.
  25. ^ https://www.usace.army.mil/About/History/Historical-Vignettes/General-History/139-Poe-and-West-Point/
  26. ^ Meyers 1992, p. 35.
  27. ^ Silverman 1991, pp. 43–47.
  28. ^ Meyers 1992, p. 38.
  29. ^ Cornelius 2002, pp. 13–14.
  30. ^ Sears 1978, p. 114, quoting a letter from Poe to Neal.
  31. ^ Lease 1972, p. 130.
  32. ^ Sova 2001, p. 5.
  33. ^ Krutch 1926, p. 32.
  34. ^ Cornelius 2002, p. 14.
  35. ^ Meyers 1992, pp. 54–55.
  36. ^ Hecker 2005, pp. 49–51.
  37. ^ Meyers 1992, pp. 50–51.
  38. ^ Hecker 2005, pp. 53–54.
  39. ^ Quinn 1998, pp. 187–188.
  40. ^ Silverman 1991, p. 247.
  41. ^ Whalen 2001, p. 74.
  42. ^ Silverman 1991, p. 99.
  43. ^ Whalen 2001, p. 82.
  44. ^ Meyers 1992, p. 139.
  45. ^ Lease 1972, p. 132.
  46. ^ Sova 2001, p. 162.
  47. ^ Sova 2001, p. 225.
  48. ^ Meyers 1992, p. 73.
  49. ^ a b Silverman 1991, p. 124.
  50. ^ Meyers 1992, p. 85.
  51. ^ Silverman 1991, p. 137.
  52. ^ Meyers 1992, p. 113.
  53. ^ Meyers 1992, p. 119.
  54. ^ Silverman 1991, p. 159.
  55. ^ Sova 2001, pp. 39, 99.
  56. ^ Graham, George; Embury, E.; Peterson, Charles; Stephens, A.; Poe, Edgar (December 1841). "The Closing Year". Graham's Magazine. Philadelphia, PA: George R. Graham. Retrieved December 2, 2020. We began the year almost unknown; certainly far behind our contemporaries in numbers; we close it with a list of twenty-five thousand subscribers, and the assurance on every hand that our popularity has as yet seen only its dawning. (See page 308 of pdf.)
  57. ^ Quinn 1998, pp. 321–322.
  58. ^ Silverman 1991, p. 186.
  59. ^ Meyers 1992, p. 144.
  60. ^ Silverman 1991, p. 187.
  61. ^ Silverman 1991, p. 188.
  62. ^ Silverman 1991, p. 179.
  63. ^ a b Sova 2001, p. 34.
  64. ^ Quinn 1998, p. 455.
  65. ^ Hoffman 1998, p. 80.
  66. ^ Ostrom 1987, p. 5.
  67. ^ Silverman 1991, p. 530.
  68. ^ Schroth, Raymond A. Fordham: A History and Memoir. New York: Fordham University Press, 2008: 22–25.
  69. ^ a b BronxHistoricalSociety.org 2007.
  70. ^ Weekes 2002, p. 149.
  71. ^ Benton 1987, p. 19.
  72. ^ Quinn 1998, p. 628.
  73. ^ Quinn 1998, p. 638.
  74. ^ a b Meyers 1992, p. 255
  75. ^ Bramsback 1970, p. 40.
  76. ^ Silverman 1991, pp. 435–436.
  77. ^ Silverman 1991, p. 435.
  78. ^ CrimeLibrary.com 2008.
  79. ^ Geiling, Natasha. "The (Still) Mysterious Death of Edgar Allan Poe". Smithsonian Magazine. Retrieved May 3, 2021.
  80. ^ Benitez 1996.
  81. ^ Walsh 2000, pp. 32–33.
  82. ^ Van Luling, Todd (January 19, 2017). "A Vengeful Arch-Nemesis Taught You Fake News About Edgar Allan Poe". Huffington Post. Retrieved July 23, 2019.
  83. ^ Meyers 1992, p. 259: To read Griswold's full obituary, see Edgar Allan Poe obituary at Wikisource.
  84. ^ a b Hoffman 1998, p. 14
  85. ^ Quinn 1998, p. 693.
  86. ^ Sova 2001, p. 101.
  87. ^ Lease 1972, p. 194, quoting Neal.
  88. ^ Meyers 1992, p. 263.
  89. ^ Quinn 1998, p. 699.
  90. ^ Meyers 1992, p. 64.
  91. ^ a b Royot 2002, p. 57
  92. ^ Kennedy 1987, p. 3.
  93. ^ Koster 2002, p. 336.
  94. ^ a b Ljunquist 2002, p. 15
  95. ^ Royot 2002, pp. 61–62.
  96. ^ "(Introduction)". The Raven in the Frog Pond: Edgar Allan Poe and the City of Boston. The Trustees of Boston College. March 31, 2010. Archived from the original (Exhibition at Boston Public Library) on February 3, 2017. Retrieved May 26, 2012.
  97. ^ Hayes 2002, p. 16.
  98. ^ Silverman 1991, p. 169.
  99. ^ Silverman 1991, p. 88.
  100. ^ Fisher 1993, pp. 142, 149.
  101. ^ Tresch 2002, p. 114.
  102. ^ Hungerford 1930, pp. 209–231.
  103. ^ Grayson 2005, pp. 56–77.
  104. ^ a b Krutch 1926, p. 225
  105. ^ Kagle 1990, p. 104.
  106. ^ Wilbur 1967, p. 99.
  107. ^ Jannaccone 1974, p. 3.
  108. ^ Hoffman 1998, p. 76.
  109. ^ Krutch 1926, p. 98.
  110. ^ Quinn 1998, p. 432.
  111. ^ Zimmerman, Brett (2005). Edgar Allan Poe: Rhetoric and Style. Montreal: McGill-Queen's University Press. pp. 85–87. ISBN 978-0-7735-2899-4.
  112. ^ Lewis, Paul (March 6, 2011). "Quoth the detective: Edgar Allan Poe's case against the Boston literati". boston.com. Globe Newspaper Company. Archived from the original on June 3, 2013. Retrieved April 9, 2013.
  113. ^ "Longfellow's Serenity and Poe's Prediction" (Exhibition at Boston Public Library and Massachusetts Historical Society). Forgotten Chapters of Boston's Literary History. The Trustees of Boston College. July 30, 2012. Retrieved May 22, 2012.
  114. ^ a b Meyers 1992, p. 258
  115. ^ Harner 1990, p. 218.
  116. ^ Frank & Magistrale 1997, p. 103.
  117. ^ Neimeyer 2002, p. 206.
  118. ^ Frank & Magistrale 1997, p. 364.
  119. ^ Frank & Magistrale 1997, p. 372.
  120. ^ McCrum, Robert (November 23, 2013). "The 100 best novels: No 10 – The Narrative of Arthur Gordon Pym of Nantucket by Edgar Allan Poe (1838)". The Guardian. Archived from the original on September 11, 2016. Retrieved August 8, 2016.
  121. ^ Joshi 1996, p. 382.
  122. ^ Pedersen 2018, pp. 172–173; Joshi 2013, p. 263; St. Armand 1975, p. 129.
  123. ^ Jamneck 2012, pp. 126–151; St. Armand 1975, pp. 129–130.
  124. ^ Joshi 2017, pp. x–xi.
  125. ^ "Edgar Allan Poe". The Guardian. July 22, 2008. Retrieved February 14, 2019.
  126. ^ Brian Boyd on Speak, Memory Archived 2014-06-29 at the Wayback Machine, Vladimir Nabokov Centennial, Random House, Inc.
  127. ^ Meyers 1992, p. 281.
  128. ^ Meyers 1992, p. 274.
  129. ^ Silverman 1991, p. 265.
  130. ^ New York Times 1894.
  131. ^ Huxley 1967, p. 32.
  132. ^ New York Daily News 2009.
  133. ^ Cappi 1994.
  134. ^ Rombeck 2005.
  135. ^ Harrison 1987.
  136. ^ Smoot & Davidson 1994.
  137. ^ a b Meyers 1992, p. 214
  138. ^ Silverman 1991, p. 399.
  139. ^ Meyers 1992, p. 219.
  140. ^ Sova 2001, p. 82.
  141. ^ a b Silverman 1991, p. 152
  142. ^ Rosenheim 1997, pp. 2, 6.
  143. ^ Friedman 1993, pp. 40–41.
  144. ^ "Though some wondered whether Poe wrote the source text, I find that it previously appeared in the Baltimore Sun of July 4, 1840; and that it was in turn based on a widely reprinted poem ("Nuptial Repartee") that first appeared in the June 21, 1813, Morning Herald of London. A manuscript in the hand of Hester Thrale (i.e., Hester Lynch Piozzi) in Harvard's library hints that she may be the true author." From Edgar Allan Poe: The Fever Called Living by Paul Collins. Boston: New Harvest/Houghton Mifflin Harcourt, 2014: p. 111.
  145. ^ Donn, Jeff (December 2000). "Poe's puzzle decoded, but meaning is mystery". Tulsa World. Archived from the original on August 17, 2020. Retrieved June 2, 2020.
  146. ^ Rosenheim 1997, p. 15.
  147. ^ Rosenheim 1997, p. 146.
  148. ^ "Edgar Allen Poe, issue of 1949". Smithsonian National Postal Museum. Retrieved September 30, 2024.
  149. ^ Neimeyer 2002, p. 209.
  150. ^ Gargano 1967, p. 165.
  151. ^ Maslin 2006.
  152. ^ The Raven Society 2014.
  153. ^ Edgar Allan Poe Society 2007.
  154. ^ "Edgar Allan Poe House", The Constitutional Walking Tour, August 22, 2018
  155. ^ Burns 2006.
  156. ^ "Poe & Boston: 2009". The Raven Returns: Edgar Allan Poe Bicentennial Celebration. The Trustees of Boston College. Archived from the original on July 30, 2013. Retrieved May 26, 2012.
  157. ^ "Edgar Allan Poe Birth Place". Massachusetts Historical Markers on Waymarking.com. Groundspeak, Inc. Archived from the original on May 15, 2013. Retrieved May 11, 2012.
  158. ^ Van Hoy 2007.
  159. ^ a b Glenn 2007
  160. ^ "An Interactive Map of Literary Boston: 1794–1862" (Exhibition). Forgotten Chapters of Boston's Literary History. The Trustees of Boston College. July 30, 2012. Retrieved May 22, 2012.
  161. ^ "Edgar Allan Poe Square". The City Record, and Boston News-letter. Archived from the original on July 10, 2010. Retrieved May 11, 2011.
  162. ^ "Edgar Allan Poe Square". Massachusetts Historical Markers on Waymarking.com. Groundspeak, Inc. Archived from the original on May 15, 2013. Retrieved May 11, 2012.
  163. ^ Fox, Jeremy C. (February 1, 2013). "Vision for an Edgar Allan Poe memorial in Boston comes closer to reality". boston.com (Boston Globe). Archived from the original on April 30, 2015. Retrieved April 9, 2013.
  164. ^ Kaiser, Johanna (April 23, 2012). "Boston chooses life-size Edgar Allan Poe statue to commemorate writer's ties to city". boston.com (Boston Globe). Archived from the original on May 29, 2013. Retrieved April 9, 2013.
  165. ^ "About the project". Edgar Allan Poe Square Public Art Project. Edgar Allan Poe Foundation of Boston, Inc. Archived from the original on April 23, 2013. Retrieved April 9, 2013.
  166. ^ Lee, M.G. (October 5, 2014). "Edgar Allan Poe immortalized in the city he loathed". The Boston Globe. Archived from the original on July 2, 2015. Retrieved July 2, 2015.
  167. ^ Lake 2006, p. 195.
  168. ^ Deas, Michael J. (1989). The Portraits and Daguerreotypes of Edgar Allan Poe. University of Virginia. pp. 47–51. ISBN 978-0-8139-1180-9.
  169. ^ Hall 2007.
  170. ^ Associated Press 2007.
  171. ^ "Poe Toaster tribute is 'nevermore'". The Baltimore Sun. Tribune Company. January 19, 2010. Archived from the original on January 20, 2012. Retrieved January 19, 2012.

Sources

Further reading

Library resources about
Edgar Allan Poe
By Edgar Allan Poe
  • Ackroyd, Peter (2008). Poe: A Life Cut Short. London: Chatto & Windus. ISBN 978-0-7011-6988-6.
  • Baab-Muguira, Catherine (September 2021). Poe for Your Problems. New York: Running Press. ISBN 978-0-7624-9909-0.
  • Bittner, William (1962). Poe: A Biography. Boston: Little, Brown and Company. ISBN 978-0-316-09686-7.
  • George Washington Eveleth (1922). Thomas Ollive Mabbott (ed.). The letters from George W. Eveleth to Edgar Allan Poe. Bulletin of the New York Public Library. Vol. 26 (reprint ed.). The New York Public Library.
  • Hutchisson, James M. (2005). Poe. Jackson: University Press of Mississippi. ISBN 978-1-57806-721-3.
  • Levin, Harry (1980). The Power of Blackness: Hawthorne, Poe, Melville. Athens, OH: Ohio University Press. ISBN 9780821405819.
  • Poe, Harry Lee (2008). Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories. New York: Metro Books. ISBN 978-1-4351-0469-3.
  • Pope-Hennessy, Una (1934). Edgar Allan Poe, 1809–1849: A Critical Biography. New York: Haskell House.
  • Robinson, Marilynne, "On Edgar Allan Poe", The New York Review of Books, vol. LXII, no. 2 (February 5, 2015), pp. 4, 6.
  • Tresch, John (2021). The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science. New York: Farrar, Straus and Giroux. ISBN 978-0-3742-4785-0.
Listen to this article (33 minutes)
Spoken Wikipedia icon
This audio file was created from a revision of this article dated 22 November 2008 (2008-11-22), and does not reflect subsequent edits.
(Audio help · More spoken articles)
source: https://en.wikipedia.org/wiki/Edgar_Allan_Poe
Facebook Comments